Classical Blog Exhibit Morality and The Art of the Classical Era 1. The Death of Seneca , Jacques Louis David History and Connections The Death of Seneca was painted in 1773 by artist, Jacques Louis David in Paris, France. David was encouraged by the Royal Academy to paint this portrait in competition with the prize being a trip to Italy. This painting depicts Seneca the Younger, a famous Roman statesman and writer who was being taken away from his wife and family after being charged with conspiracy to kill an emperor. The connection to influence in this piece is the fate of an individual being decided by Rome's government; it was not revealed whether Seneca did participate in the conspiracy to kill Emperor Nero, however, the chance ultimately ended in his death sentence. In today's age, this is still applicable since there still are individuals who are wrongly accused of a criminal act, then are faced with the death penalty. Morality is questioned among those who determine...
Non-Western Blog Theme: Japanese Art I chose to focus my exhibit on the beautiful cherry blossom trees, or Sakura, in Japanese and how they are brought into tradition in Japanese culture. Cherry blossoms symbolize life and death, a sense of renewal. Cherry blossom festivals are held each year to commemorate the start of spring and the end of winter, hence the theme of beginnings and ends. I have chosen three portraits that represent the blooming of the cherry blossoms, and though they occur at different time periods, they exhibit the cultural practices of the Japanese during this time. 1) 1) Avenue of Cherry Trees, 1935 The Avenue of Cherry Trees was painted in 1935 by Hiroshi Yoshida. This woodblock print showcases a local Japanese village surrounded by an abundance of cherry blossoms. Cherry blossoms in Japan blossom every spring, from the end of March to early April. Yoshida utilizes a pale, pastel color palette as well as a linear perspectiv...
The Marriage of the Virgin Raphael, 1504 For this week's assignment on the Italian/Northern Renaissance, I chose to analyze Raphael's The Marriage of the Virgin, 1504. This painting is influenced by the Reinvention of Rome by the Catholic Church and represents the day where Mary becomes wed to Joseph. Initially, this painting was to be completed by Pietro Perugino, Raphael's former master but was ultimately assigned to Raphael due to Perugino's absence. Raphael followed his master's technique in executing this painting and found inspiration in Perugino's painting style. The colors chosen are quite mute, with the red clothing on the bodies to be the brightest. Raphael also uses linear perspective in his work to depict the cathedral behind the assembly of people. He applied figure composition to illustrate the gathering and their engagement throughout the cerem...
Hi Iona! Nice to meet you
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